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Users can quickly create astonishingly realistic images with Photoshop. A few hours of experimentation and creativity will yield a collection of stunning images.
This chapter goes through the basics of learning how to use Photoshop and covers the learning curve for editing digital images. It first introduces you to the tools at your disposal. You read how to use the tools and see how they work. You explore settings that enable you to optimize your photos.
You also review several tips for using Photoshop and give you a basic understanding of how Photoshop is structured so that you can effectively navigate around the program, and how to use the tools and features efficiently.
Photoshop includes tools for performing almost every edit you could think of on a digital image. In this section, I walk you through the types of tools that are available, some limitations of these tools, how they work, and what problems they’re likely to cause. (You read about these problems in Chapter 1.)
Studying Photoshop Elements
Photoshop Elements is a powerful program that has taken over the market for many users of the image-manipulation program. Elements includes many of Photoshop’s features, including some of the features I discuss in the upcoming sections. It also includes such features as enhanced image comparison and adjustment tools. These tools make it possible for users to create the kind of detailed work that is otherwise impossible.
To use Photoshop Elements effectively, you must become familiar with its interface, which includes several tools that are not available in the full version of Photoshop. These tools perform basic image manipulation; for more complex image editing, I refer to chapters in the next section.
Getting to grips with the interface
Like all programs, Photoshop Elements features a user interface (UI). The UI provides all the control points and menus that you use to control the program. (In other words, if you want to perform an edit, you click a tool or menu option on the menu.) A “toolbox” displays at the bottom of the UI as shown in Figure 3-1. It includes the tools you can use to perform image edits.
**Figure 3-1:** The user interface of Photoshop Elements.
The interface is designed so that it makes sense to the way you work. At the top is a series of controls for controlling the program, such as the toolbox and the tool palette.
These controls include the following:
Toolbox: The toolbox is the area where you select tools. Notice, however, that the
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On this page you will learn how to edit and enhance photos using Photoshop Elements. It will also teach you the software interface, the most frequently used editing features, and the best ways to work with Elements.
Use the tabs to help you navigate the page. You will also find links to related articles, tutorials, and guides.
Gallery
Check out some examples of how we use Photoshop Elements. You can click the image to view the whole picture.
Portraits
It’s a change from the last tutorial where we were using an iPhone selfie. This time we are using a portrait by photographer Karl Schapp!
For this tutorial, we decided to use the technology of Smart Object to make the image come to life.
We start with the local file and we will apply the same steps to all the other files. Let’s start.
Local File
First, we need to check if the file has transparency.
To do this, we need to be sure the layer containing the image is selected. To do this, click on the topmost layer while the layer containing the image is selected.
Once that is done, go to File > Params.
Then, click on the Merge Down button.
Then, click on the Transparency drop-down menu and choose None.
Using a non-transparent layer, we will now blend the image.
For the blending, we will move to the Layers Panel.
To do that, click on the small black arrow in the Layer Panel.
Then, click on the Merge Layers option.
We will now move to the New Layers Panel.
Double-click to add a new layer.
Then, click on the Make Mask option (on the top bar).
We need to make sure the layer is set to a new layer. To do that, go to the Layers Panel.
Next, we will adjust the level of the layer.
We will now apply the same process to all the other layers of the picture. Let’s move to the next file.
High Dynamic Range
Although the picture was taken with a single camera, Adobe’s HDR feature helps us to increase the dynamic range of the image.
This is where we set the brightness levels using the levels palette.
Once we are done, we need to move to the L
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Microglia and astrocytes in the hippocampus of juvenile and adult rats are immunohistochemically recognized by antiproliferating cell nuclear antigen antibody.
The ventricular hippocampal formation in juvenile and adult male Wistar rats was examined after intrahippocampal injection of 3H-thymidine to visualize the dividing cells, using the immunohistochemical technique with antiproliferating cell nuclear antigen antibody. Microglia and astrocytes in the CA3, CA4, and dentate hilar regions of the hippocampus were examined. The cells were counted in the ventricular zone of the subgranular zone of the dentate gyrus, and the hilus of the dentate gyrus. There were about as many microglia and astrocytes in the hippocampus of juvenile as adult rats. The proportions of dividing microglia and astrocytes in the CA3, CA4, and dentate hilar regions of the hippocampus were markedly increased as compared with those of the control animals. The present finding suggests that the microglia and astrocytes in the juvenile rats may have increased proliferating activity under normal conditions.Q:
Why does the non-linearity of the integral in the series expansion of $e^x$ make it a useful expansion?
I was looking at the proof of the series expansion of $e^x$ on wikipedia, and it appears to use the non-linearity of $xln(x)$ as part of the proof.
However, this argument simply seems to take into consideration an area under a graph, and does not explain why it is useful to just use this non-linearity in this context.
In contrast, why is Newton’s general series expansion the most useful expansion to use for approximation problems?
A:
The essential idea behind the nonlinearity of $xlog x$ is to consider $xlog x$ as an “averaging” operation over one-sided derivatives:
$$f(x)=int_0^x frac{f'(y)}{y}, dy.$$
As the integral is assumed to be to the right, the one-sided derivative is the derivative from the right. The integral is thus seen to be the average one-sided derivative. That this average is “best” when $f’$ is a convex function (and $f$ is not convex) is easy to
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FILED
NOT FOR PUBLICATION FEB 19 2011
MOLLY C. DWYER, CLERK
UNITED STATES COURT OF APPEALS U.S. C O U R T OF APPE ALS
FOR THE NINTH CIRCUIT
UNITED STATES OF AMERICA, No. 10-50273
Plaintiff – Appellee, D.C. No. 2:09-cr-00716-DSF-1
v.
MEMORANDUM *
JOHN JOHNSTON SHIPP, III, a.k.a.
John Shipp, III,
Defendant
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