PATCHED IK.Multimedia.Classik.Studio.Reverb.VST.RTAS.v1.1.incl.[UPDATED] Keygen-BE
PATCHED IK.Multimedia.Classik.Studio.Reverb.VST.RTAS.v1.1.incl.[UPDATED] Keygen-BE
PATCHED IK.Multimedia.Classik.Studio.Reverb.VST.RTAS.v1.1.incl.KeyGen-BE
You search for the information you need – how to manually change parameters, or convert from one patch format to another – but theres not much help. You just have to read and listen. There are extensive help files with the software, but the patch browser is the place to go if youre confused.
New patches can be tried out, and old patches weresomely tweaked to work in combination with new ones. Even though its not a finished piece of kit, Sonik Synth 2 is very approachable, and you can begin to come to grips with what it can do straight away.
To some degree, like every other transport plugin, you can route it to external modulators (think sub-oscillators) or controls of other plugins. Or even another VST host. However, when you consider how many patches are in here, it becomes apparent that patch routing is going to be the most useful.
Dont expect too much, though. You can import more than twenty IKM sample-libraries. Both the Source and the XL version of this patch are free of charge, but if you want to buy the XL version you get a discount on the price.
Another way of using multiple OctaPitch modulators is to have them combine to form a non-linear synth. The IK Multimedia Classik DAW has this kind of functionality too. But the Classik software is not a patch-wise reverb, which is what I really wanted.
For now, the Preferences window shows just enough detail for the owner to fine-tune his/her patch-panel experience. The sidebar contains all the usual sections, but ARPE-II and EQ/Compression are not represented here. A powerful array of LFOs, aux sends and master volume are available.
The new target is simply called “Reverb” by IKM, but in reality, the target has been expanded considerably. The selection of patches has been expanded to a more comprehensive list, and file names are more easily distinguishable than the patch name format. The KeyGen patch is missing, but the patch-points are now on the right side of the panel and are clickable (no more need to scroll).
You get to choose among 18 patches in total (11 stereo), giving the impression of a patch panel. It’s even more convincing when the patch-points are lit and the other end of the patch cable can be clicked to get sound, which can be further layered by using FX or the Controllers on the surface of the patch panel. In addition, the stereo input is selectable to create left- and right-channel VST hardware inputs (SP-2). So do not let the marketing blurb on the toolbar deceive you. This is the same arrangement as in the earlier version, but it’s easier to see the four patch points now on the right side of the panel.
The reverb was improved substantially for the XL version, but there are no surprises. At first glance, the newly designed forms of knobs on the original patch panels have been mimicked in the XL version of this patch. But it’s only until you make them tappable that you realize the scale of the difference. Patches are also labelled more clearly (but only on the XL version), and you can now choose whether the patch or full signal of the input is routed to the output. The snazzy new patch-panel design is accompanied by another GUI update that now makes processing easier and more intuitive.
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